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(JazzPlanet) Miles Davis All Stars - Walkin` (Eac S Flac Cue) (UF)

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Torrent File Content (20 files)

Description

Miles Davis All Stars - Walkin`

















Artist Miles Davis All Stars

Title  Walkin`

Recording Date Apr 3, 1954

Original Release Date: June 13, 2006

Release Date: June 13, 2006

Label: Prestige RVG

Copyright: (C) 2006 Concord Music Group, Inc

Genre Jazz

Styles Cool Bop Hard Bop

Number of Discs 1 

Source: Original CD 

Size Torrent: 214 Mb

Scan Book Included





Extractor: EAC 0.99 prebeta 4 

Read mode               : Secure

Utilize accurate stream : Yes

Defeat audio cache      : Yes

Make use of C2 pointers : No

Codec: Flac 1.2.1;  Level 8  

Single File.flac, Eac.log, 

File.cue (Noncompliant)

Accurately ripped (confidence 7 )



personnel

 

Miles Davis (trumpet); 

Davey Schildkraut (alto saxophone); 

Lucky Thompson (tenor saxophone); 

J.J. Johnson (trombone); 

Horace Silver (piano); 

Percy Heath (bass); 

Kenny Clarke (drums).





Track list



1 Walkin`  	 	

2 Blue N` Boogie 		

3 Solar 		

4 You Don`t Know What Love Is 		

5 Love Me Or Leave Me





Listen to all



http://www.amazon.com/Walkin/dp/B000UBN10A



http://www.goear.com/listen/8516d8c/solar-miles-davis



http://www.goear.com/listen/2b385eb/you-don%5Ct-know-what-love-is-miles-davis







video/audio



http://www.youtube.com/watch?v=oxitPHmm6vc&feature=PlayList&p=831FCE3BBF6329B1&index=3



http://www.youtube.com/watch?v=md1qp9tfXl8&feature=PlayList&p=831FCE3BBF6329B1&index=4



http://www.youtube.com/watch?v=7DNosnBXsps



http://www.youtube.com/watch?v=NRfFCnrOitk





review



Miles Davis is undoubtedly the most-reissued recording artist to audiophiles.  His two 1954 quintet and sextet sessions
presented on the Walkin' disc were some of the earliest sessions the acknowledged genius of jazz recording Rudy Van
Gelder had put down on tape, when he was still using his parent's living room as his makeshift studio. 



Although originally recorded in his "deep mono," someone along the way decided in his greater wisdom that this terrific
recording needed some pimping, in the process adding some really obvious and fake-sounding artificial reverb and making
re-channeled stereo out of it. And it sounds to me like all the reissues since then have used the same tapes rather than
going back to the originals. They were certainly used for the JVC xrcd reissue a couple years ago, and sound the same
this time around. The difference is that recent enhancements in mastering at 24-bit resolution and in pressing of CDs
have resulted in this mid-price CD sounding  - at least to my ears - identical to the previous $30 xrcd release. The
greater clarity brings Miles' horn and the other soloists more forward, making the annoying reverb less prominent.



______________________________________________________________________________________________________________________





The undeniable strength and conviction present in Miles Davis' performance on Walkin', underscores the urgency and
passion with which he would rightfully reclaim his status as a primary architect of bop. Davis is supported by his
all-stars, consisting of his primary rhythm unit: Horace Silver (piano), Percy Heath (bass), and Kenny Clarke (drums).
The sextet featured on the title track, as well as "Blue 'n' Boogie," adds the talents of J.J. Johnson (trombone) and
Lucky Thompson (tenor sax). Davis' quintet includes the primary trio and Dave Schildkraut (alto sax). Perhaps not an
instantly recognizable name, Schildkraut nonetheless made some notable contributions to Stan Kenton's Kenton Showcase
EPs, concurrent with his work with Miles. Walkin' commences with the extended title track, which follows a standard
12-bar blues theme. While the solos from Johnson and Thomson are unique, Miles retains a palpable sense of extrication
from the music — as if the song was an extension of his solo instead of the other way around. The lethargic
rhythms reiterate the subtle adornments of the horn section to the basic trio. In direct contrast to "Walkin'" is a
full-tilt jumper, "Blue 'n' Boogie." The improvisation yields some truly memorable solos and exchanges between Davis and
Johnson — who can be heard clearly quoting from Thelonious Monk's "Rhythm-A-Ning." "Solar" maintains a healthy
tempo while drawing the listener in to the delicate interplay where the solos often dictate the melody. Horace Silver's
piano solo is Ellington-esque in it's subdued elegance. The final track, "Love Me or Leave Me," gives the most solid
indication of the direction Miles' impending breakthrough would take. So swift and certain is each note of his solo, it
reflects the accuracy of someone thinking several notes ahead of what he is playing. Walking is a thoroughly solid
effort.

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